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movie Glossary
Overhead Hitchcock Rule
All films showing a car passing a vacant country intersection will shoot the intersection from an above angle. This angle is a direct homage to Hitchcock's influential establishing shot for the crop duster sequence in "North by Northwest." See "Road To Perdition," "One False Move," "O, Brother, Where Art Thou?," "Cast Away," etc.

STEVEN DALLI, LOS ANGELES
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Cadillac Records (R)
by Roger Ebert

An argument could be made that modern rock 'n' roll was launched not at Sun Records in Memphis, but at Chess Records, 2120 S. Michigan, and its earlier South Side locations since the early 1950s. The Rolling Stones even recorded a song named after the address. The great Chess roster included Muddy Waters, Howlin' Wolf, Etta James, Willie Dixon, Chuck Berry and Little Walter. They first made Chicago the home of the blues, and then rhythm and blues, which, as Muddy said, had a baby, and they named it rock 'n' roll.

Punisher: War Zone
by Roger Ebert

You used to be able to depend on a bad film being poorly made. No longer. "The Punisher: War Zone" is one of the best-made bad movies I've seen. It looks great, it hurtles through its paces and is well-acted. The soundtrack is like elevator music if the elevator were in a death plunge. The special effects are state of the art. Its only flaw is that it's disgusting.

Nobel Son (R)
by Roger Ebert

When Alan Rickman portrays an egomaniacal, preening, heartless SOB, he seems to have found himself an autobiographical role. Since Rickman the human being is kind, genial and well-loved, he is in fact acting in "Nobel Son," but who else could seem so utterly at home as a supercilious, snide, hurtful snake? I'm thinking maybe Richard E. Grant? The late Terry-Thomas, certainly. There really isn't a long list.

My Name is Bruce (R)
By Roger Ebert

Many's the actor who has brooded in his trailer and pondered: "Maybe I could direct better than this idiot." With Bruce Campbell, that is often true, with the exceptions of such directors as Sam Raimi, with whom he has worked 11 times, and the Coen brothers, four. You know you're in trouble when your top-user-rated title at IMDb is a video game, although the game boys are such generous raters, they place the game "Evil Dead: Regeneration" right above the film "Fargo."

Four Christmases (PG-13)
by Roger Ebert

So here's the pitch, boss. "Four Christmases." We star Reese Witherspoon and Vince Vaughn as a happily unmarried couple whose parents are divorced and remarried, and since nobody is talking to one another, they have to visit all four households on Christmas.

Transporter 3 (PG-13)
by Roger Ebert

'Transporter 3" is a perfectly acceptable brainless action thriller, inspiring us to give a lot of thought to complex sequences we would have been better off sucking on as eye candy. Consider this ingenious dilemma faced by the Transporter. He cannot remove a bracelet that is linked to a mighty bomb in his Audi A8. If he goes more than 75 feet from the car, the explosion kills him. He and the car and the Girl are trapped on a bridge by men with machineguns. He releases the Girl. The men are shooting at him. How can he escape?

Australia (PG-13‎)
by Roger Ebert

Baz Luhrmann dreamed of making the Australian "Gone With the Wind," and so he has, with much of that film's lush epic beauty and some of the same awkwardness with a national legacy of racism. This is the sort of film described as a "sweeping romantic melodrama," a broad family entertainment that would never have been made without the burning obsession of its producers (Luhrmann for "Australia," David O. Selznick for "GWTW"). Coming from a director known for his punk-rock "William Shakespeare's Romeo + Juliet" and the visual pyrotechnics of "Moulin Rouge," it is exuberantly old-fashioned, and I mean that as a compliment.

Milk (R)
by Roger Ebert

Sean Penn amazes me. Not long before seeing "Milk," I viewed his work in "Dead Man Walking" again. Few characters could be more different, few characters could seem more real. He creates a character with infinite attention to detail, and from the heart out. Here he creates a character who may seem like an odd bird to mainstream America and makes him completely identifiable. Other than the occasional employment of Harvey Milk's genitals, what makes this character different? Some people may argue there is a gay soul but I believe we all share the same souls.

The Exiles (No MPAA rating)
by Roger Ebert

Newly restored, "The Exiles" plays this week at the Gene Siskel Film Center.

Homer is already three-quarters smashed. He buys a beer, sprawls in a booth, and looks over the crowd in the bar. Through his eyes, we see them too: Down-and-out alcoholics, loosely or happily or angrily tilting the long-necked bottles of beer to their mouths. One old man has something wrong inside, and has to drink sideways, at a tilt. Another old man peers out from under his hat, taking it all in without eye contact. A young white guy is rock-and-rolling with a small Chinese man, in a movement that seems poised between dancing and fighting. Most of the others are Native Americans. Homer rolls his bottle off the table, and it smashes.

Twilight (PG-13)
By Roger Ebert

If you’re a vampire, it’s all about you. Why is Edward Cullen obsessed to the point of erotomania by Bella Swan? Because she smells so yummy, but he doesn’t want to kill her. Here’s what he tells her: He must not be around her. He might sink his fangs in just a little, and not be able to stop. She finds this overwhelmingly attractive. She tells him he is the most beautiful thing she has ever seen. I don’t remember Edward ever saying that to her. Maybe once. He keeps on saying they should stay far, far apart, because he craves her so much.

A Christmas Tale (No MPAA rating) (11/19) »

Song Sung Blue (No MPAA rating) (11/19) »

Q. I recently came across a post on gawker.com which claimed to contain an excerpt from the worst movie review of all time. The review is for the new Paul Rudd comedy "Role Models" and was written by (name withheld) of FHMOnline.com. Could this be the worst review ever done by a "professional" writer? Also, the article claimed (name withheld) was paid handsomely for writing this drivel.
Magnolia (R) (1999)

'Magnolia" is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love.

by Roger Ebert

I went searching on the web for a photo, and this was the one I found. Where do you think it was taken? If you have lived in this city for any time at all, you thought Chicago even before I could ask you. How did you know? You just knew, that's all.

By Roger Ebert

Sometimes I realize something, and it astonishes and delights me. I was admiring the key performance of a young aboriginal boy named Brandon Walters in the new film "Australia," and I got to thinking about how child actors can sometimes embody a directness and clarity that is beyond the reach of even the best adult actors, because it never seems premeditated. It seems as if it's being filmed as it happens.

by Roger Ebert (1986)

Jersey City, NJ – “This guy came and rang the bell, and said his name and that he was from MGM,” Mrs. Delores Brady was explaining. She stood in the center of her kitchen floor, and you got the impression she had played this scene before.

“Did he say they’re gonna blow up a house?” asked her uncle, Anthony Rokoszak.

The Times of Harvey Milk
by Roger Ebert (1985)

Harvey Milk must have been a great guy. You get the sense, watching this documentary about his brief public career that he could appreciate the absurdities of life and enjoy a good laugh at his own expense. He was also serious enough and angry enough about the political issues in his life that he eventually ran for the San Francisco Board of Supervisors and became California's first openly homosexual public official. That victory may have cost him his life.
When kids tell you about movies, they almost always take care to warn you about the scary parts. Everybody seems to go through at least one phase where the scary parts are just too much and the only solution is to flee the theater or switch to something else on the TV.

Here it is: Your first 2008 ten-best list

String of Pearl: The Lady of Altman's "Nashville"

Blue, red, purple and Colbert: Better maps

Fellini, Zanussi, Altman, Frances

Altman's Dangerous Woman Speaks

The real drama of W.

Paul Rudd: Sexiest white man in America

Vacancy: Filled



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The Opening Shots Project Index

I've been accused of refusing to review Ben Stein's documentary "Expelled," a defense of Creationism, because of my Darwinian agenda. Here is my review.

Ben Stein, you hosted a TV show on which you gave away money. Imagine that I have created a special edition of "Who Wants to be a Millionaire" just for you. Ben, you've answered all the earlier questions correctly, and now you're up for the $1 million prize. It involves an explanation for the evolution of life on this planet. You have already exercised your option to throw away two of the wrong answers. Now you are faced with two choices: (A) Darwin's Theory of Evolution, or (B) Intelligent Design.

A newspaper film critic is like a canary in a coal mine. When one croaks, get the hell out. The lengthening toll of former film critics acts as a poster child for the self-destruction of American newspapers, which once hoped to be more like the New York Times and now yearn to become more like the National Enquirer. We used to be the town crier. Now we are the neighborhood gossip.

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